Regulations on the Mausoleums of Qing Dynasty Emperors

     The regulations for the tombs of emperors in the Qing Dynasty were roughly the same. In order from south to north and from front to back. Due to the different construction periods of the tombs of different emperors, the order of the above buildings has been slightly adjusted, and various types of buildings have been slightly added or reduced, but the basic changes are not significant. There are usually empresses' tombs and consort gardens built near each imperial tomb.

     The main buildings of the mausoleum all face north and south, and the underground palace is located at the northern end of the central axis, seemingly under the North Star, with the significance of being centered in the sun. The remaining buildings are arranged along the two ends of the central axis, serving as arches and guards for the main building, as well as highlighting and highlighting the main building.

     The layout of the mausoleum is completely modeled after the architectural layout of the palace where the emperor lived during his lifetime. The main buildings of the mausoleum are located on the central axis, and the steles and bridges are also on the central axis. The secondary buildings run in a north-south direction, symmetrical and parallel to the axis. The east-west direction of the gate intersects with the axis, and the axis runs directly through the center of the gates. This layout of front facing and back sleeping is neat and uniform, appearing solemn and dignified.

     Another notable feature of the layout of tombs is symmetry and evenness. The symmetrical center of the central axis. Symmetrical buildings are usually in pairs, and they are identical in shape, volume and appearance. This layout echoes each other and is balanced on both sides, creating a harmonious and unified aesthetic effect for individuals with a sense of stability and balance.

     Due to different locations, the color tones used in mausoleum buildings also vary and are tailored to local conditions. The roof of the palace is golden and magnificent. Underneath the eaves are the shadows, using cool colors, mainly blue and green, to indicate the depth of the eaves. The walls are all vermilion red. The base is white. These vivid colors form a strong contrast, making the outline of the building clearer and leaving a deep impression, shining with the brilliance of ancient architecture's unique craftsmanship and elegant wisdom.